The new JS11 Dinky from Jackson is a metal machine. Jackson Guitars are made to be played & played hard! A Jackson doesn't do blues, it hates pop & it doesn't understand Jazz. A Jackson guitar just wants to be drop tuned & played hard, fast & dirty! You only need to look at the awesome line up of some of worlds most aggressive guitar players to see what we mean. Guys like Matt Tuck (Bullet For My Valentine), Christian Olde Wolbers (Fear Factory), John Campbell (Lamb of God), Mark Morton (Lamb of God), Serj Tankian (System of a Down) and Zakk Wylde are all Jackson users - and you wouldn't argue with them, would you?

Swift, deadly and affordable, Jackson JS Series guitars take an epic leap forward, making it easier than ever to get classic Jackson tone, looks and playability without breaking the bank. Upgraded features such as arched tops, new high-output ceramic-magnet pickups, graphite-reinforced maple necks, bound fingerboards and headstocks, and black hardware deliver more for less.

The JS11 Dinky has a basswood body, bolt-on maple speed neck with graphite reinforcement, and 12”-radius Amaranth fingerboard with 22 jumbo frets and white dot inlays. Other features include dual high-output Jackson humbucking pickups with ceramic magnets and three-way blade switching, synchronized fulcrum tremolo bridge, chrome hardware and die-cast tuners.

Solid Construction
Jackson Pro series instruments are exactly that. Pro-level guitars for pro-level players.This guitar has a satin neck finish with graphite neck reinforcement rods for the ultimate in sleek playability and rock-solid sustain and stability. Bolt-on-neck models feature an innovative “wrap-around” three-bolt neck joint with remarkable strength, style and feel. However thick your strings are this neck will remain rock solid so you can dig in without worrying about pulling it out of tune.

Compound Radius Fretboard
The compound-radius fingerboards is great for metal. Jackson pioneered the use of this innovative design, in which the fingerboard gradually flattens toward the heel from its more rounded profile at the nut. This makes for comfortable and natural-feeling chording and riffing near the nut, with optimal shred articulation and bending nearer the heel. When you need to slam away at power chords its comfortable and sounds great and when you that fast shred solo comes around its ready for that too.